Olaf Ladousse was born in 1967, God knows where! He studied industrial design at the Ecole Nationale Supérieure de Création Industrielle «Les Ateliers» in Paris and at the UNAM in Mexico. He was living peacefully in a pear when the ripe fruit fell to the ground. Wounded in the fall and in pride he crawled into the bark with a crutch gouge to settle accounts with the trunk. There he began to carve out all sorts of grievances. Through the forest passed mammals sensitive to his art and commissioned him illustrations to take to the big city. Secretly he sowed seeds into fruits of his harvest: fanzines, records and other self-published artifacts. He enjoys crushing linoleum with a rolling pin, the same rolling pin with which he makes homemade pear pie. First it was the toy, then some brute came along and broke it. Thus the garbage was born. Melancholy walked a donkey an ecstatic donkey through the landfill in search of inspiration and half spent batteries, opening discarded toys. Sometimes they would exhale one last scream as the volts were ripped out of the guts. It occurred to the equine music lover that he well deserved an audience for such a unique sound. Once cleaned and tidied up, they went around the stages of half the world under the baton of Burro Ácrata, satisfied with the invention. The critics and the fans call it «circuit bending». But in reality it is only about music.